How did Canada’s national newsweekly magazine Maclean’s get its name?!


Question:

How did Canada’s national newsweekly magazine Maclean’s get its name?

more radio trivia and Im drawing a blank this Mon a..m Must be cuz Im another year OLDER today ("mind not only wanders, sometimes it just leaves completely") LOL


Answers:

Here you go.........
History
The magazine was founded in 1905 by Toronto journalist/entrepreneur Lt.-Col. John Bayne Maclean. The 43-year-old trade magazine publisher purchased an advertising agency's in-house business journal — along with its 5,000-strong subscription base. The Business Magazine, was launched in October of that year as a pocket-sized digest of articles gathered from Canadian, British and U.S. periodicals. It sold 6,000 copies. Inside its bright blue cover, the fledgling monthly anointed itself, "the Cream of the World's magazines reproduced for Busy People". Its aim, Maclean wrote a year later, was not "merely to entertain but also to inspire its readers." It was renamed The Busy Man's Magazine in December 1905, and began soliciting original manuscripts on varied topics such as immigration, national defence, woman's suffrage and home life as well as fiction. Maclean renamed the magazine after himself in 1911, dropping the previous title as too evocative of a business magazine for what had become a general interest publication.

Maclean hired Thomas B. Costain as editor in 1917. Costain invigorated the magazine's coverage of the First World War, running first-person accounts of life on the Western Front and critiques of Canada's war effort that came into conflict with wartime censorship regulations. Constain was ordered to remove an article by Maclean himself as it was too critical of war policy.

Costain encouraged literary pieces and artistic expressions and ran fiction by Robert Service, Lucy Maud Montgomery and O. Henry, commentary by Stephen Leacock and illustrations by C. W. Jefferys, F.S. Coburn and several Group of Seven members, including A. J. Casson, Arthur Lismer and J. E. H. MacDonald.[1].

In 1919, the magazine moved from monthly to fortnightly publication and ran a notable expose of the drug trade by Emily Murphy. Costain left the magazine to become a novelist and was replaced by J. Vernon Mackenzie who remained at the helm until 1926. During his tenure, Maclean's achieved national stature.

H. Napier Moore became the new editor. An Englishman, he saw the magazine as an expression of Canada's role in the British Empire. Moore ultimately became a figurehead with the day to day running of the magazine falling to managing editor W. Arthur Irwin, a Canadian nationalist, who transformed saw the magazine as an exercise in nation-building, giving it a mandate to promote national pride. Under Irwin's influence, the magazine's covers promoted Canadian scenery and imagery - the magazine also sponsored an annual short story contest on Canadian themes and acquired a sports department. Irwin was also responsible for orienting the magazine towards both small and big "l" Liberalism.

During the Second World War, Maclean's ran an overseas edition for Canadian troops serving abroad. By the time of its final run in 1946, the "bantam" edition had a circulation of 800,000. Maclean's war coverage featured war photography by Yousef Karsh, later an internationally acclaimed portrait photographer, and articles by war correspondents John Clare and Leonard Shapiro.

Irwin officially replaced Moore as editor in 1945, and reoriented the magazine by building it around news features written by a new stable of writers that included Pierre Berton, W.O. Mitchell, Scott Young, Ralph Allen and Blair Fraser.

Allen became editor upon Irwin's acceptance of a diplomatic posting in 1950. This era of the magazine was noted for its articles on the Canadian landscape and profiles of town and city life. The feature article "Canada's North" by Pierre Berton promoted a new national interest in the Arctic. Prominent writers during this period included Robert Fulford, Peter Gzowski, Peter C. Newman, Trent Frayne, June Callwood, McKenzie Porter and Christina McCall. Exposes in the 1950s challenged the criminal justice system, explored LSD and artificial insemination.

Maclean's published a memorable editorial the day after the 1957 federal election announcing the predictable re-election of the St. Laurent Liberal Party. Written before the election results were known, Allen failed to anticipate the upset election of John Diefenbaker's Progressive Conservative Party.

The magazine struggled to compete with television in the 1960s by increasing its international coverage and attempting to keep up with the sexual revolution through a succession of editors including Gzowski and Charles Templeton. Templeton quit after a short time at the helm due to his frustration with interference by the publishing company, Maclean-Hunter.

Peter C. Newman became editor in 1971, and attempted to revive the magazine by publishing feature articles by writers such as Barbara Frum and Michael Enright, and poetry by Irving Layton. Walter Stewart, correspondent and eventually managing editor during this period, often clashed with Newman.

Under Newman, the magazine switched from being a monthly general interest publication to a bi-weekly news magazine in 1975, and to a weekly newsmagazine three years later. The magazine opened news bureaus across the country and in London, England and Washington D.C..


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